There isn’t a singular solution to this issue, but a “de-esser” is one of the most common tools used to tame harshness in vocals. At the heart of the Oxford SuprEsser is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. You’ll notice that being independent from the input level is a big advantage, because the DeeS won’t work in a different way ( Over-compression, under-compression ) if the entering signal gain varies, which is the behaviour of most similar units, and will therefore retain all the dynamics and lively character of the original. The original soothe plugin from oeksound was a subtle game-changer for me. Normally, the plugins that really excite me… The original soothe plugin from oeksound was a subtle game-changer for me. A new concept is born – a simple and intuitive De-Esser, PLUS access to a much more sophisticated frequency specific compressor, giving complete control over aggressive frequencies wherever they may be in the audio spectrum. Use the SHAPING control, another parameter to fine tune the processing. 12th July 2018 #6. bgood. Key filter options include high pass and band pass filtering. Higher values can create undesired artifacts and sometimes leave the vocalist sounding “lispy”. First of all, it has two completely independent bands. We have collected for you the top 9 VST plugins De-Esser according to PluginBoutique. I now use soothe in this way as well, hunting down harshness that only exists straight up the center of the mix, and attenuating that that frequency range as to not alter the content on the sides. Easy to understand : Clear Dual Signal path. Share Quote. When you have found a setting that works for your particular sibilance issue, you can use the Intense button to get some extra processing. Simple: Sibilant and Voice Channels are clearly identified on each UI part: Knobs, Graphs share common color code. Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog. To be honest, a mix free of harsh sibilance is a result of a delicate application of several of the aforementioned tools and techniques — careful and deliberate processing with de-essers, subtle use of clip gain and automation, and knowing when you’ve pushed a vocal a bit too far with compression, saturation, etc. Unlike traditional EQ, soothe features self-adjusting frequency… The standard version of the ERA 4 De-Esser is also available. Highly intelligent ‘Single Vocal’ detection, and classic ‘Allround’ detection, Transparent program-dependent compression/limiting, Adjustable Threshold, Range and detection HP and LP filtering settings, Wide Band or linear-phase Split Band processing, Optional mid-only or side-only processing, Up to four times linear-phase oversampling, Real-time de-essing display, clearly showing the affected parts of processed audio, Side-chain input meter, making it easy to choose a good Threshold value, Real-time spectrum analyzer built into the HP/LP filter controller, Double-click text entry of parameter values, Supports common Pro Tools hardware control surfaces, Sample-accurate automation of all parameters, Extensive help file with interactive help hints, All FabFilter plug-ins are available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only). A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. I’ve found that the resulting sound (at least on this plugin) is far more natural and transparent. Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo. Please Note: This product is the Native version. Ideally, the recording engineer will get it right at the source, but in some cases, the mix engineer simply has to make do with what they’ve been provided — moreover, with modern music production and mixing aesthetics tending to call for liberal usage of compression, saturation, and additive EQ (especially in the high frequencies), sibilance can quickly become a problem. Two bands of de-essing. Get 65% Off Mix Essentials, The ability to affect the entire human hearing spectrum, rather than just the high-mids and highs, You can now work in mid/side mode, which is great for mix-buss and mastering duties, Attack and release parameters, which makes working on material with prominent transients much easier, A new ‘soft mode’ which allows for more transparent processing. Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog. Ultra-professional tool, but without the daunting, complex look. The different modes, look-ahead and external sidechain options put it a cut above most other de-esser plugins. A gain reduction meter that gives you a visual indication of the de-essing process and aids in the fine-tuning of the other controls. The transparent sound quality, helpful visual feedback, and versatility of the controls on FabFilter plugins are virtually unmatched, and the Pro-DS is no exception. As well as being able to trigger the full band compression, only the offending frequencies can be carefully carved out. There is a simple mode for quick fixes, but also an advanced mode for increased functionality and fine-tuning. A compatible VST host program that supports the VST3 format. I’ve found lookahead to be helpful when mixing several Hip-Hop projects.
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