Click through to see all the jewelry that will leave everyone wanting more this autumn. By Harper's Bazaar Staff. Models emerged through a carved gilt frame, and one even wore a wide, boxy dress version, its edges embroidered to three dimensions with gold thread and filled with a canvas of a Cubist nude that covered the model’s body. Jeremy Scott’s inspirations are often delightfully lowbrow, but his Moschino show this season was a jaunt into the lofty world of art. She presented it under a recreation of the monumental dome of the Pantheon. Understated and opulent as usual, the collection started off with gray suiting before moving into rich jewel tones. Lo proved can still bring a crowd to its feet. Afterward, Silvia Fendi bowed alone, beneath the words “Love, Karl.”. Shown inside a sprawling former ice-skating rink, Missoni’s fall 2019 collection featured many of the house’s signatures: Lurex and patterned knits tugged into ’70s-influenced “long, lean and liquid” shapes. The Best of Milan Fashion Week, in Pictures. The Best of Milan Fashion Week, in Pictures. In the cavernous ground-floor hall of the Prada Foundation’s tower, Miuccia Prada renounced the quick turnover of fashion in favor of enduring personal style. The familiar melody of “The Price Is Right” rang out and models were dressed in the sparkling grandeur of late ’70s excess, waving their arms enticingly around washing machines, a La-Z-Boy recliner, a flashy red Ferrari and other glories of full-throttle capitalism. Feb. 20, 2019. The models at Fendi, where the designer served as creative director for 54 years, wore his signature low ponytails and high collars as they paraded by; and in the exquisite nipped-waist dresses, the sharp-shouldered jackets and the dramatic silhouette of a cropped leather jacket over billowing high pants, Lagerfeld’s graceful sketches took shape once more. In springy hues, the men’s and women’s clothes — including boxy, workwear-inspired shirts and jackets, paper bag trousers, a pair of flowing caftans — exuded a pared-down ease. Despite the kinky-color message, the collection was still Marni — and still quirky and cerebral to the extreme. All the highlights from the spring 2020 shows. In the sunny portico of a medieval-era hospital, the creative director Paul Andrew showed a collection for Ferragamo that was both leisure-friendly and luxurious. See our favorite moments, as captured by T’s photographers. Along the water’s edge of the Bagni Misteriosi, a sprawling 1937 pool that has been recently restored, the Missoni creative director Angela Missoni sent models down the runway holding scarf-wrapped baskets of garden flowers, a springy symbol of ’60s insouciance immortalized by Jane Birkin and Serge Gainsbourg and revisited for this collection. The models at Marni paced the runway in frayed-edge garments that were sometimes ripped and sometimes tied up like sarongs, recalling what the creative director Francesco Risso described as “couture nostalgic.” Inspired by a trip to Brazil, the clothes came in tropical colors and big, hand-painted florals in cuts that fell off shoulders and revealed models’ stomachs and backs. The designer drew on the iconography of Pablo Picasso, transforming his best-known motifs into madcap, theatrical garments — a dress adorned with a colorful Cubist guitar, blouses with exaggerated shoulders that appeared flattened into two dimensions — that still felt just as Pop as ever. The eyeshadow was blue. There was, of course, plenty of what Ferragamo does best: luxury leather in all possible forms, from suede trousers to a supple poncho cape. Fake furs — the brand stopped using real fur last year — looked like excellent flea-market scores. After Risso’s men’s wear show, which was held under a netted sea of discarded plastic, the show — with its sustainable, organic, recycled, and recouped fabrics and Amazonian references — presented women as “tree-huggers,” the designer said. The Fashion Month marathon completed its penultimate round of shows in Milan before moving to Paris. Milan Design Week 2019 ruled luxury calendars last week, with brands from Dior to Fendi, Hermes and Louis Vuitton, all present. Those disguises mixed arch tailoring, copious fake fur, sparkling lamé, kneepads and a hodgepodge of vintage references (Victoriana, flappers and the space-age ’60s) in a mash-up that continued Michele’s freewheeling, free-associating approach to style. Held in a greenhouse on an unseasonably warm winter day, Bottega Veneta’s creative director Daniel Lee made his runway debut, the first show after the brand’s 17-year partnership with Tomas Meier. This season, according to Donatella Versace, “imperfection is the new perfection,” and frayed hemlines, T-shirts (emblazoned with the designer’s own face, circa 1995) and reverse layering (think camisoles and bustiers worn over shirt dresses) graced her runway. Marni turned erotic this season: Women, plus a smattering of men, wore eccentric layers of staid checked wools and racy red leather and silk, with chain necklaces dangling down to the knees above stovepipe boots. The Best of Milan Fashion Week, in Pictures, Valerio Mezzanotti for The New York Times. Best of Milan Design Week 2019: Fashion x Luxury Spotlights — The Ink Collective.

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