Mixing has always kinda been my own weak spot and this book looks to help out a lot with that. … Parallel compression - also known as New York compression - is an essential production technique, used by mix engineers to create fatter, more powerful, drum, bass and synth tracks. Es ist also eher eine ganz spezielle und genau definierte Art von Parallelkompression. The New York Compression Trick (Parallel Compression) Post by TekMonki » Sat Apr 19, 2008 7:14 pm I picked up a book on mixing the other day, Bobby Owsinski's "Mixing Engineer's Handbook" and just flipping through it, I highly recommend it for the sheer amount of plain english info alone. New York Compressor key features: Mix (0% to 100%): Mixes between the clean signal and the compressed signal, allowing you to apply the compression in parallel. Basically, what you do is mix two versions of the drum track together – one track being treated with quite severe compression, and the other being uncompressed. We put the effect into a VST, AU and AAX compressor plugin for Cubase, Ableton, Logic, and Pro Tools on Mac / PC. Check: More Ableton Live Tutorials About The Author: Rafael Hofstadter is a recording and mixing engineer and sound designer with 10+ years experience in playing and programming synths, recording, mixing and producing pop/rock/folk albums. Use it for the best parallel compression results. After learning every parameter of the Compressor and Glue Compressor devices, you discover how to do sidechain and parallel (New-York style) compression. The New York Compressor offers a continuous RMS-time control, enabling you to fine-tune the response of the compression and adjust the attack and release settings in an analogue style. On the second Chain, rename it ‘Compression’. Loading up a compressor into the new chain. Continuing with the course, you also learn about the Limiter, Saturator, different EQs, and more! New York Compression geht aber in dieser originalen Definition etwas weiter, da gehört ein Pultec-artiger EQ dazu, bei dem 100Hz und 10k massiv angehoben werden. Load Ableton’s Compressor device into the second Chain and mute the ‘Dry’ chain my clicking on the yellow speaker icon. This is going to make the compressors grip on the audio very strong. Next, we are going to adjust the attack of the compressor. Parallel compression is also known as New York compression, and is a very popular technique for getting drums louder whilst retaining most of the energy of the original envelope. 3. Parallel audio compression, also works great when mastering a track and will certainly give you that big, fat, punchy New York sound! This will help us keep track of things later. Remember, New York compression involves a heavy amount of compression and will be more compression than you would ever want to use directly on an audio signal that is not a return/send track. Das ganze war dann auch speziell für Drums gedacht. Select the first chain and press Cmd+R and rename the Chain ‘Dry’. Knowing this, we are going to crank the ratio all the way up to 10 to 1. From there, Noah dives into the often mystifying Multiband Dynamics device, explaining everything about upward/downward compression & expansion.
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