does shure sm7b need preamp

Before you spend more cash on an XLR cable, check that you don’t get one bundled with your preamp or other accessories. That works for us! The Rode NT1 requires less gain than the Shure SM7B and costs less too. Studio setups and post-production will vary, but, as you will hear, the audio quality is superb in all cases. The Scarlett 2i2 is ideal for … You’ll need a female to male XLR cable: the female end is connected to the microphone, and the male end will attach to your preamp, audio interface, digital recorder or USB adapter. Why do I need a preamp for my SHURE SM7B microphone? It's also quite neutral and unhyped up top, which with proximity effect in action in nearfield use gives it a somewhat warm tone. We recommend the FetHead in-line preamp from Triton Audio. Boom arms, microphone stands and desk mounts. Gain can be added through use of a preamp. This is not a handheld mic so there’s no need to remove the mounting attachment. Listen to any episode from these popular podcasts recorded using SM7Bs: Listen to these voice recording examples, all recorded on the SM7B: Listen to (and watch) these musical performances, with vocals recorded on an SM7B: Listen (and watch) Twitch and YouTube streamers using SM7Bs to broadcast: There are a few accessories and companion products that pair particularly nicely with the Shure SM7B. It’s also really small and allows for a minimal and stream-lined cable setup. According to Shure, the SM7B requires around a preamp with at least 60 dB of gain for speech recording. Listen to a really good sound comparison between the Shure SM7B and Rode NT1 here. You’ll probably want to monitor sound levels by wearing headphones when recording on a Shure SM7B. If you’re using a preamp with the Shure SM7B, watch out for the preamp’s own electronic noise adding hum to your recordings. However, you may find vocal recordings to be too quiet and a preamp can help amplify the signal of your recordings. They are worth it! The Shure SM7B is also popular with radio stations. As we discussed in the above section, you’ll need something to attach your Shure SM7B to a computer in order to make recordings. I like this clean, minimal setup. This is great if you’re using the mic near your computer or other electronic devices. Shure SM7B sensitivity is -59 dBV/Pa[1] (1.12 mV). You don’t need an additional shock mount for the Shure SM7B as it already has one buit right in. (he's my best friend, and we've been recording together for years, thats the only reason I allowed him). The Shure SM7B will output 1.12 millivolts (mV) when detecting acoustic air pressure of 1 Pascal. The Shure SM7B picks up far less background noise than the Rode NT1. And finally, whether you choose a Rode K12 or a Shure SM7b, you'll still need a nice mic preamp to bring out its full sound. Members; Magpel 0 Posted May 12, 2009. The Shure SM7B is a pretty unique microphone – nothing else out there is going to give you the same sound, but a few come close. Joel Berghult (aka RoomieOfficial) uses a Rode PSA1 swivel mount boom arm to hold his Shure SM7B when talking and singing. If you buy the standard Shure SM7B, you’ll get: You get not one but two detachable windscreens bundled with the SM7B – one is flat and the other thicker and domed (this is better suited to talking closer to the mic). I know pretty stupid but I do need a pre amp that works pretty well with the SM7B and I read on some forums that the SM7B needs at least 60db of clean gain. Take the Neumann U87 microphone, for example. You can use Shure’s SM7B with or without the optional windscreens attached. You can bang the desk and move the mic around and you won’t pickup any unwanted sounds. What’s the difference between radio and podcasts these days, anyway? The Shure SM7B has a cardioid polar pattern, which means it picks up most sound from the front of the microphone (see diagram below). For podcasters, voice-over artists, radio stations and recording studios, the Shure SM7B microphone is definitely worth buying. The SM7B is an XLR microphone with no USB connection. On its own, the Cloudlifter only provides up to 25 dB gain. You can plug headphones into your computer, audio recorder or audio interface to monitor sounds. The Rode NT1 has no settings to configure. Many modern microphone preamps, which are designed for the “hot” output level of condenser microphones, provide only 40 to 50 dB of gain. There’s also internal “air suspension” shock isolation that virtually eliminates mechanical noise transmission. But does it really make a difference? It’s cheaper than the Cloudlifter, and is designed to improve signal to noise ratio and provide +29dB gain. The Shure SM7B is a cardioid dynamic microphone. Most people choose to use them, but musician Ben Howard can be seen recording vocals on Shure SM7B mics with the built-in pop shield exposed. Cardioid refers to the pickup pattern of a microphone. Have a listen to a recording of the SM7B without any post-processing (compression, limiting, EQ) out-of-the box with the flat response setting. Use the supplied A7WS windscreen for close-talk applications, such as voice overs or radio announcements, as it offers maximum protection from plosive breath noise and creates a warmer, more intimate sound. Shure’s SM7B is a passive microphone with low sensitivity, which means the signal it picks up can be weak unless gain is added. Here’s Shure’s advice on when to use each windscreen: Use the standard windscreen for general voice and instrumental applications. If you’re using Shure’s SM7B to record vocals or music when you’re away from a desk or standing up, you’re going to want a microphone stand. A dynamic microphone uses electromagnetism to convert sound waves into an electrical signal. What compatible accessories can I use with the Shure SM7B? The Shure SM7B is a dynamic cardioid XLR microphone. Low impedance allows for very long cable runs without sound degradation. DBX 286s Microphone Preamp – Best Mic Preamp For Shure sm7b, 2. The main function of a USB audio interface is to: Check the amount of gain you’ll be able to get from your preamp or audio interface. Technically, yes the Cloudlifter is a mini preamp, although it is generally used with an additional preamp or audio interface. If you look for a deal on a used Shure SM7B microphone, you could be lucky enough to shave around 20% off the price of a new one. the wa12 is a great preamp with a ton of gain, most interface preamps will not be able to give you the levels you need. A cardioid microphone, also know as unidirectional, will pick up sound from a single direction. Lots of people seem to recommend using a Shure SM7B alongside a Cloudlifter. The Blue Yeti is a good all-rounder. Marc Maron uses a boom arm like this Samson mounting arm to mount his Shure SM7B mics. However, the Shure SM7B will require more gain (via preamp) than the Rode NT1 to achieve the same signal levels. Podcaster and comedian Bert Kreischer uses a couple of Rode PSA1 swivel mounts to keep his Shure SM7B mics suspended while recording episodes of his celebrity interview podcast, Bertcast. Acoustically, both mics perform almost identically. Focusrite Scarlett 2i2 (3rd Gen) – Best Mic Preamp For Home Studio, 4. Hum is the word used to describe the annoying 60 Hz magnetic and electrostatic tone that’s picked up by recording equipment. A popular single-channel audio interface like the Focusrite Scarlett Solo will provide +56 dB of gain, which should be enough for most. As always, the answer to this question is “it depends”. However, you may find vocal recordings to be too quiet and a preamp can help amplify the signal of your recordings. This means that, as a dynamic mic, the Shure SM7B is more durable and can handle high sound levels without distortion, whereas, as a condenser mic, the Rode NT1 gives lower noise levels, needs less gain, but requires phantom power. Note: you can buy dedicated preamps, like the ART Tube MP Studio V3, but most USB audio interfaces, like the Focusrite Scarlett Solo, have built-in preamp features. So you definitely have to get up close and personal with it for that reason alone. If you need a handheld microphone, a USB connection or cheap mic (sub $100), then you’d be better with a different microphone. DBX 580 Compact, Professional Mic Preamp – Best Mic Preamp Under 500. Your email address will not be published. Hall of Fame; Members ; 0 3,126 posts; Members; Share; Posted May 12, 2009. Channel Strip Processor + 4 Combination Processors, Single Channel Processor + Double Analog Outputs, Single Channel Processor + Output Protection Limiter, Low-noise Professional Mic for Roughly 69dB. If you’re looking for a condenser microphone alternative to the Shure SM7B, you’ll probably like the Rode NT1, AKG Pro Audio C214 or Audio-Technica AT2035. The short answer is that the Shure SM7B is a far superior microphone to the Rode NT1. The SM7B is an update on Shure’s famous SM7 microphone, which was first introduced in 1976 and became famous as the microphone used to record Michael Jackson’s Thriller album.

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