Before print or download please save it first. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. C = E = Ab Augmented 2. To identify the note interval numbers for this major scale, just assign each note position from the previous step, with numbers ascending from 1 to 8. In the C Augmented Scale this would be C - E - G# (Caug) and Eb - G - B (Ebaug). This step shows the second inversion of the E augmented triad chord. This step shows the first inversion of the E augmented triad chord. In the same way, the figured bass 3 symbol represents note B#, from the G#-3rd interval. These numbers represent the interval between the lowest note of the chord (not necessarily the original triad root! The figured bass notation for this triad in 2nd inversion is 6/4, with the 6 placed above the 4 on a staff diagram. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. The name of the scale is based on the fact that it is built upon two augmented chords. E: E, G, Ab, B, C, D#, E In the C Augmented Scale this would be C - E - G# (Caug) and Eb - G - B (Ebaug). This step shows the E augmented triad chord in root position on the piano, treble clef and bass clef. G#/Ab: G#, B, C, D#, E, G, G# The note order of this triad can also be changed, so that the root is no longer the lowest note, in which case the triad is no longer in root position, and will be called an inverted triad chord instead. The steps below will detail the augmented triad chord quality in the key of E. Each individual note in a triad chord can be represented in music theory using a note interval, which is used to express the relationship between the first note of the chord (the root note), and the note in question. the tonic of the major scale. Below is a table showing the note interval qualities for all triad chords, together with the interval short names / abbrevations in brackets. A#/Bb: A#, C#, D, E#, F#, A, A# Musically, this is interesting, since it is usually the 3rd note of the scale that defines the overall character of the chord as being major (typically described as 'happy') or minor ('sad'). This step shows 1 octave of notes starting from note. For this chord, this is explained in detail in E-maj-3rd and E-aug-5th, but the relevant adjustments for this augmented chord quality are shown below: E-3rd: Since the 3rd note quality of the major scale is major, and the note interval quality needed is major also, no adjustment needs to be made. The 3rd note is suspended, ie. © 2020 Copyright Veler Ltd, All Rights Reserved. Also knows as the minor-third half-step scale(because that is the intervals that make up the scale) Because the scale is symmetrical, there are only 4 unique Augmented Scales (i.e. To invert a chord, simply take the first note of the chord to be inverted (the lowest in pitch) and move it up an octave to the end of the chord. So for a 1st inversion, take the root of the triad chord in root position from the step above - note E, and move it up one octave (12 notes) so it is the last (highest) note in the chord. E augmented 7th chord. Additionally, you can Download our Piano Companion FREE app which is used by millions of users worldwide and contains more than 10,000+ chords and scales. It divides the octave into 3 equal parts, major 3rds C-E-Ab-C. Now, if we continue dividing the those intervals, we end up with 6 major 2nds, the whole tone scale. All of these triad qualities are based on the 1st, 3rd and 5th notes of the major scale piano diagram above. C: C, Eb, E, G, Ab, B, C The chord spelling / formula relative to the E major scale is: 1 3 #5. The numbers in brackets are the note interval numbers (ie the scale note number) shown in the previous step. The Augmented Scale (a.k.a. This step shows the E augmented 7th chord in root position on the piano, treble clef and bass clef. F#/Gb: F#, A, Bb, C#, D, E#, F# The E augmented 2nd inversion contains 3 notes: B#, E, G#. The figured bass symbols for this chord inversion are 6/4, so the chord is said to be in six-four position. D: D, E#, F#, A, Bb, C#, D Semi-notes: 3 - 1 - 3 - 1 - 3 - 1 Looking at the table above, the note intervals for the chord quality we are interested in (augmented triad), in the key of E are E-maj-3rd and E-aug-5th. B: B, D, Eb, F#, G, A#, B, Intervals: 1, 3b, 3, 5, 5#, 7 The name of the scale is based on the fact that it is built upon two augmented chords. The figured bass notation for this triad in 1st inversion is 6/3, with the 6 placed above the 3 on a staff diagram. Eb = G = B Augmented And also, much like the Diminished Sca… the C Augmented contains all the same notes as the E and A♭ Augmented) 1. To count up a Whole tone, count up by two physical piano keys, either white or black. This scale should not be confused with Lydian Augmented with the semi-notes pattern 2 - 2 - 2 - 2 - 1 - 2 - 1. Each chord quality name is the name of the entire chord as a whole, not its individual notes (which will be covered later).
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