Shakman filmed Peter Dinklage as Tyrion about a mile from the battlefield, and most of his shots involved "staring at lots of different tennis balls" for eye line. [13] Shakman drew inspiration for the direction of the sequence from Miguel Sapochnik, who directed the sixth season episode "Battle of the Bastards", and Neil Marshall, who directed the second season episode "Blackwater", as well as the battles in Apocalypse Now, Saving Private Ryan and Stagecoach. Theon reveals that he has come for Daenerys' help in rescuing Yara, but Jon and Davos inform him that Daenerys has gone. [8] In an interview prior to the season conducted by Sports Illustrated, Syndergaard spoke about his appearance in the series by saying "It's a dream come true. White smoke was used towards the beginning of filming, but as the battle went on, McLachlan decided to switch to black smoke, which was accomplished through burning diesel oil. "[12] The "Loot Train Attack" was filmed in Cáceres, Spain, and Emilia Clarke, who portrays Daenerys Targaryen, was filmed riding a motion base on a stage in Belfast in front of several green screens. Several cameras were used to capture the "Loot Train Attack," including a small handheld camera known as an Osmo, which "allowed a horseman to get shots while riding a horse at a full gallop through the cavalry charge," as well as a "custom-built miniature helicopter drone" for the "overhead dragon shots." Jon shows Daenerys the vast dragonglass mine, in which Children of the Forest cave drawings depict the Children and the First Men fighting together against the White Walkers. Weiss, Short description is different from Wikidata, Television episode articles with short description for single episodes, Television episode articles with short description and disambiguated page names, Wikipedia articles with plot summary needing attention from May 2019, All Wikipedia articles with plot summary needing attention, Creative Commons Attribution-ShareAlike License, Tim Kimmel, Paula Fairfield, Mathew Waters, Onnalee Blank, Bradley C. Katona, Paul Bercovitch, Outstanding Animated Character in an Episode or Real-Time Project, Murray Stevenson, Jason Snyman, Jenn Taylor, Florian Friedmann – "Drogon Loot Train Attack", Outstanding Compositing in a Photoreal Episode, Dom Hellier, Thijs Noij, Edwin Holdsworth, Giacomo Matteucci – "Loot Train Attack", Best Sound Editing in Television, Short Form: FX/Foley, Tim Kimmel, Paula Fairfield, Bradley Katona, Brett Voss and Jeffrey Wilhoit, Best Sound Editing in Television, Short Form: Dialogue / ADR, Tim Kimmel, Paul Bercovitch and Tim Hands, Tim Kimmel, Paula Fairfield, Tim Hands, Paul Bercovitch, Bradley C. Katona, John Matter, Brett Voss, David Klotz, Jeffrey Wilhoit, Dylan T. Wilhoit, This page was last edited on 26 October 2020, at 18:17. Considering striking King's Landing with her dragons, she asks Jon for advice. [16] In the United Kingdom, the episode was viewed by 3.015 million viewers on Sky Atlantic, making it the highest-rated broadcast that week on its channel. In an interview conducted by The Verge, McLachlan revealed that the production team received the script for the episode more than a year in advance. He gave the episode a 10 out of 10. He's the human intermediary there to see the battle through." The episode set an industry record for the most stuntmen set on fire, with 73 "fire burns", in addition to 20 people being set on fire for a single shot. Spoilers follow. Jon remains resistant. A cable-cam was also used, which made several passes over the battlefield during the course of filming. © 2020 Home Box Office, Inc. All Rights Reserved. "Mockingbird" is the seventh episode of the fourth season of HBO's fantasy television series Game of Thrones, and the 37th overall. The excitement, the stress and the fear all built at the same time, mirroring probably what was happening on screen. [14], The number of extras that were utilized for filming the "Loot Train Attack" began with more than 600 extras, and gradually decreased as the weeks of filming went on, with 400 extras returning the following week, and ultimately concluded with approximately 100 extras, according to McLachlan. The title of the episode refers to the Tyrell gold and other resources in possession of the Lannisters after taking Highgarden. They fight to a draw as Sansa and Littlefinger watch. A Peyredragon, l'heure est à la politique et … By Vinnie Mancuso @ VinnieMancuso1 Aug 7, 2017 at 8:56am Photo: HBO. Voir Episode 8 Saison 4 de la série Game of Thrones dès maintenant en Streaming VF et VOSTFR à l'aide de nos lecteurs Openload en ligne gratuit. [33] Four suspects were arrested over the leak in Mumbai. Going into filming, one of McLachlan's most desired effects was the amount of smoke on the battlefield, saying "we wanted to block the sun out so the shots would have some consistency. "[13], "The Spoils of War" was viewed by 10.17 million total viewers on its initial viewing on HBO, which was significantly higher than the previous week's rating of 9.25 million for the episode "The Queen's Justice". At Dragonstone, Daenerys Targaryen and Jon Snow observe cave drawings left by the Children of the Forest, indicating that the First Men and the Children fought together against the White Walkers. Tyrion and Varys report the pyrrhic victory at Casterly Rock and the loss of Highgarden; Daenerys questions Tyrion's loyalties. Littlefinger gives Bran the Valyrian steel dagger that was used in the attempt on Bran's life. He continued, "Game of Thrones pulled no punches and showed no quarter this week as we witnessed one of the fiercest and most engaging battles the show's ever produced, featuring major fan-favorite characters on opposite sides of the fight. There are three Starks in Winterfell right now, but with Littlefinger there poisoning the well, things still aren't quite right." Additional smoke was added later by the special effects team. [11], For the beginning of the "Loot Train Attack," with the Dothraki approaching, Shakman stated that he wanted it to feel like a Western, saying in the interview, "I wanted that feeling of a Western — this savage attack coming at this more formalized line of men, that tension of circling the wagons and trying to protect them from the chaos and the onslaught.
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