Kick Drum Compression is Essential In the context of a solo drum performance, you won’t HEAR any need for a compressor. Up next, we have to process our kick! All taken from our Pure Kicks sample library. As you can see, D.Ramirez’s production knowledge reaches far and wide throughout the spectrum of Electronic music. Toolroom Academy’s 16 Week Creativity: Unlocked. Click here for more info. Each kick should have a different character. If you really want to take your productions to the next level, we suggest picking up the FabFilter Suite for their EQ, compression and limiter plugins. For quick reference within the arrangement, we will colour each channel individually. Combined together, our EQ’d kick sounds like this: If you’ve made it this far, pat yourself on the back! Our story began with a simple desire: to be inspired making music and become better producers. Now, it’s time to start thinking about reverbs. Use Up/Down Arrow keys to increase or decrease volume. The first step here is to create three blank audio channels in your DAW. Not only pushing the sound upfront, furthermore making the three layers more unified. Check out our Pure Kicks sample library to access 107 kicks. Big part of techno production and mixing is the use of reverbs for the kick drum. Use Up/Down Arrow keys to increase or decrease volume. Let’s label these Top Kick, Middle Kick and Sub Kick at the bottom. You can’t go wrong with a classic Pultec style EQ, boosting 60 or 100 Hz. Reason one is to make it punchier, this requires a fairly medium-slow setting on the attack of the compressor, letting the transient poke through. Next up, we need to apply some EQ and begin the sculpt our individual layers. Now, we have EQ’d our drum group again, this time to sculpt the overall sound of the group. To keep the dynamics nice and solid, I’ve applied some light compression to the drum group using a glue compressor to round off the kick. Read: Best Mics for Drums After the overheads, then comes miking the kick drum. To be sure of this, you must load a utility plugin and draw the signal down to mono by reducing the width to zero. Next up, to achieve a little more punch and richness in our kick, we’ve added another instance of the glue compressor. Learn how to make cutting-edge House and Tech House with our 3 month online Production Certificate taught by Ben Remember & Ben Keen. Best of all, we’re here to help you unlock your true potential in the studio. You can check out our current course offerings here. The idea here is to tweak the 3 of them until you get the sound you want. For the Sub Kick layer, choose a sample with a solid sub frequency. Click here for more info: Middle Layer: 079 AT Pure Kick – Jomox Alpha Base F. At this stage, we will isolate each layer with its own frequency band. In today’s article, we’re going be looking at a few fundamental techniques that can be used to create the heavy-hitting low-end that Techno is known for. Kick drum compression recipes. Don’t forget, Toolroom Academy offers you the chance to work alongside this internationally acclaimed hitmaker both online and in the Toolroom studios in London. You can always re-adjust the balance later, to fit in with the rest of the elements of the track. Get in touch with us today—and make it happen. Still struggling with some of the basics of making House, Tech House and Techno? It’s ‘keep low’ setting does exactly what it says, keeping the low-end of the sound intact. Next in our signal chain, we’ve added some light limiting as a final wall of defense to prevent any nasty frequencies poking through. For the mid kick, I’ve cut 150-170Hz, again to create space in the mix for the other elements. You can apply a few gentle EQ cuts to remove unnecessary frequencies within the kick group. “Saturation is the most important thing. This article was written by Neil & Ed (Audiotent) and can also be seen in Computer Music Magazine. It makes your sounds warmer, fatter, crunchier, and perhaps even tougher.”. You can check out our current course offerings here. Ratio: 3:1 or 4:1; Attack: 4ms; Release: 200ms; Threshold: adjust for about 3-6dB gain reduction; More “in your face” kick drum compression. Saturation can be a key mixing tool to inject some unique character to your kick drum. Here are the 3 kicks we have chosen for the example. All sounds we will use in the examples are sourced from the Audiotent Pure Kicks library. To concur this problem we can use a classic compression sidechain technique. Final mixing processes are being taken care of with the help of EQ.
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