By clicking “Post Your Answer”, you agree to our terms of service, privacy policy and cookie policy. The move their mics back and forth from their faces. Simple recording for live broadcast, crowd mics, compression configuration, etc, Will live music damage hifi speakers (assuming compression, etc is used), Creating distorted/dark/disturbing samples on stage. Some compressors do this automatically, which may be what you're thinking of. How does the Dissonant Whispers spell interact with advantage from the halfling's Brave trait? Based on the description of "live" in the question title, I think it's probably about "dynamic" compression, i.e., a built-in, or outboard audio processing for PA applications. Contact your Sales Engineer. Compression helps mitigate that exaggeration. Meaning of the Term "Heavy Metals" in CofA? In other words, use it if there's something specific you need it to do. Drums - usually, I'll compress the entire submix for the drums. Lives for gear. So, if the threshold is set to -10dB, it will compress anything louder than -10dB. You need an account to post a reply. The choir and orchestra use the dynamics they rehearsed. Some of them have weird spikes. I once had a gospel style vocalist with a very big voice and a lot of range - when she hit the loud parts, it pushed the levels to somewhat uncomfortable levels. I say that because most guys I know that play in bands, myself included, don't travel around with Rat, Meyers, or Clair Brothers type monitor rigs. Dialing in some compression to take off the worst of the transients will help your live mix in exactly the same way it helps a mix of recorded music. If the vocal’s volume drops down then adjust the makeup gain (input). Standard compressor settings for backing vocals. I typically try to hover around 1-3dB of compression so when they belt I end up with more like 6-8dB of compression. How to find individual probabilities of all numbers from a list? You can over-compress a more classical group that actually plays with dynamics. It can also help you control feed back, because it will reduce the loud transient sounds that can trigger a feed back signal. When you buy products through links across our site, we may earn an affiliate commission. Studio vocals are commonly compressed, but in my observation live vocals have sounded more dynamic. via a VST plugin or a Compressor module) or about an audio compression algorithm (e.g. Regarding monitors, I've found that inexperienced vocalists often get confused and uncomfortable if their vocals are compressed; since they don't hear themselves getting louder, they will often just push harder. Be careful if you're also using gates, you can trigger some strange sounding artifacts if you have the compression dialed up too high. They are up front because they sing really well and have good stage presence, not because they are better than anyone else at being disciplined. Can we omit "with" in the expression glow with (something)? From a monitor engineer's standpoint compression on vocals can be a pandoras box of problems. @Skilldrick That's only true if you raise the level after compression. Don’t use the compressor to boost the signal. That means that your dynamic differences are going to be exaggerated. Of course, if you don't have a seperate monitor board, there's not a lot of choice anyway. MP3 or DTS). one subgroup for keyboards. A bit of compression helped to take the edge off those parts without altering the rest. -4 and -8 threshold, 4:1 compression and +6 on the output. I usually run a fairly high compression on this, especially if I'd dealing with touch sensitive keys, and if you have a keyboard player that likes to mess around with settings, you may end up with some sounds much louder than others. As with anything else, remember that these are just guidelines - every room, every gig, every setup is different, and what works for one combination may not work for another. However if using VST's in a live scenario , you could have latency issues. A compressor in its compression area has variation in output level, depending on the input level. To learn more, see our tips on writing great answers. Contact Us We're here to help. Here are tricks for crafting better live vocals. A lot of guys just can't get used to in ears because of the obvious reasons. Compression is also often difficult to set properly as it should be relatively transparent for live work and difficult for a beginning user to tell the results are optimized. Your compressor’s release time will control how it shapes the tail ends of words and … Yes, definitely. I think the biggest thing is finding the correct mic for the particular singer. Anything else is going to really mess with your feedback to gain margins. As for feedback, you still have to be careful. Is it important for a ethical hacker to know the C language in depth nowadays? Heavy stuff can get slammed a little more. If you compress the transients without raising the entire signal level afterwards then you may effectively guarantee no transients will trigger a feed back. Do you have issues with dynamic range? Nice idea. How to input sounds live during a podcast, Sending drums and vocals to the in-ear monitoring mixer on stage, citation question (different authors, same year, same surname) [natbib]. Compression is definitely great for live audio work. It depends on how you use the compression. Here are tricks for crafting better live vocals. It's a reason why engineers at live shows split the voc mikes into two channels so that the one feeding the monitors can be unprocessed: you are loosing gain to feedback. Some of them sing louder the higher they sing and softer the lower they sing rather than having dynamics that work with everyone else. Asking for help, clarification, or responding to other answers. How do I combine several instruments into one Line In, in live performance? I find around -6dB clip gain on breaths and sibilance works really well for me. Especially if your equipment...ie board, mic, wedges, outboard octave eq...etc... are semi pro type gear. Like anything else, you should use it if the situation warrants it. Shop Sweetwater inSync SweetCare Events Careers Used Gear Marketplace (800) 222-4700 Talk to an expert!
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