Thank you for your request. The best price of the Rode K2 in Australia is $729.00 at Kogan.com. I was not dissapointed at all. I may even buy another one day as my studio continues to grow. Then we put it up against a Blue Bottle and the newer SoundElux 251, and we lost, but not by as much as the price difference would lead one to believe. The shock-mount and mic did get tipped over once while attached to the mic stand, so I kind of attribute that to the cracked swivel arm. Better value for the money. I've tried a large variety of vocal microphones over the years, but this is the one I always come back to and use for my voice. The K2’s sound is extremely smooth, lacking any hint of harshness – it’s a great sounding microphone. I always like to remind potential purchasers that the paper spec tells you precious little about the sound of a mic, though it can help to establish how quiet or sensitive it is. The K2s always allowed my drum sound a warmth and clarity despite the not-so-perfect room. Although there are cheaper mics coming in from various Far Eastern locations, it offers a very good balance of price and quality control. The smoothness of the frequency response is a MAJOR plus for an engineer, requiring only simple, non-obtrusive EQ to obtain spectacular results! $600 would be the perfect price. Access to the tube compartment is achieved by unscrewing the main body sleeve, and a knurled locking ring is used to secure the included SM2 shockmount. It is the first tube mike I've owned so I have no other similar mikes to compare it to. Also, this mic wants an excellent pre-amp, AND an excellent A/D converter for best performance; but, with the money you save on the mic, you can afford it, right? Been using the K2 with stock tube for nearly 3 years now (I have other tubes too & haven't bothered to pull them out). It can easily punch through the loudest mixes, with only minimal processing. Rode K2 Large-diaphragm Tube Condenser Microphone Reviews. *SIDE NOTE: About 3-4 years ago the plastic arm broke on the shock-mount, so I had to replace the shock-mount. This mic is SO versatile, I would reccomend it to anyone looking for a mic that can do more. The other thing that has been a challenge with these microphones is the polar pattern. Fantastic mic for male vocals or acoustic instruments. I just remixed a song thats recorded with this mic. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. I have never heard my voice sound so amazing in solo, without any eq or reverb. The tube is held in place in its porcelain socket by means of a plastic spring clip, and the standard of mechanical and electrical engineering is up to Rode's usual very high standard. Put it in Omni mode and throw it over a drum kit. The sond was.........tinny. I think this mic sounds great. This mic has it all, high Psl, tube warmth, variable patterns, own power supply. Very harsh on the high frequencies. The K2's internal valve can be replaced without any soldering.Photo: Mark EwingThe mic comes in a tough moulded RC2 plastic travel case of the type normally associated with power tools, and includes not only the shockmount and power supply, but also the necessary multi-pin XLR cable to connect it to the power supply. If you are looking for an accurate mic, look no futher. I've never dropped or banged it, so I don't know why it would behave this way. But overall, this is the mic i will keep for the next 20 yrs or so for vocal work, i cant stress it enough how old k2 is on vocal. If you want this mic to shine on your vocals. Honestly, why keep a couple grand of mins in a drawer. If you check out the polar pattern of the K2, you'll notice extra sensitivity in the sibilance range. Anyhow, if you're new, just buy it. The K2 is very well made for a mic in its price range, well thought out and has high quality control. The low noise, high SPL handling, and balanced sensitivity are a joy to work with in almost every way. This is a good thing!To say that the sound is "warm" is not to say that it has more bass. The K2 did NOT dissapoint here. All the electronic components are mounted on a glass-fibre circuit board, while the capsule itself is shockmounted. I started with a cheaper Neumann. This mic is def not a bargin for $700. The one element I insisted on was Rode's benchmark non existent self noise. I have had two of these microphones for four or five years and generally speaking, they are wonderful and transparent. The PSU has never let me down, either. They are so versatile and can wear the many hats that are needed in any studio environment, whether it be a home studio or a commercial facility where bang for buck is important. K2 has about the highest price a lot of musician can afford in their project studios, and a lot of pro studio owners too, before they dive into the $1000 plus range. I FEEL THAT THE NTK IS BETTER FOR THE HOME STUDIO PERSON, BUT IF YOU HAVE A REAL LIFE STUDIO GO WITH THE K2 NOTHING IS COMPARED, LITERALLY. vocals, choirs, acoustic guitars, metal guitars ...you get the idea. I've done thousands and thousands of recordings with it as a demo vocalist, songwriter, artist, composer...it's brilliant. This mic for my vocals is warm, tight, excellent frequency response. I love my k2! This mic is pretty good, but it's definitely not as great sounding as it is made out to be. Having now used the K2 in a variety of situations for over a year, I can safely say that I have never used such a dependable, excellent sounding microphone in anything near this price range. I just got my Pro Tools 002 setup, and purchased a Rode K2 mic after reading some very positive reviews. It's been my go-to ever since. As with the NTK, the lack of a bass roll-off switch means you'll probably need to engage the low-frequency filter on your preamp or mixer when recording vocals, and you'll certainly need a pop filter. I am sure that the $3000 mics are probably the best mics, but I would rather spend $700 have a couple love the sound and not freak out every time someone new is at the mic. This website uses cookies to improve your experience. Re: Why does Liam Gallagher's vocals sound shit? This is one LDC that i'm not afraid to use on a guitar amp or a bass drum. In Australia this product is available in Sydney, Melbourne, Brisbane. After three weeks of having cleaned up my diet, there was NO MORE SPLAT! I got my second K2. As long as Rode is still making this mic as good as they did 12 years ago, you won't regret purchasing one. When I wanted to upgrade my personal studio with a great vocal mic, I decided to go with a Rode K2. I sold my other mice. I have the K2 over 8 monthes, I change many tubes for it, almost every style 6922 u can find in the world. However, if you do not have GOOD, "tube" mic pre, your money would be better off being spent there before buying ANY new microphone. I just purchased Rode K2. They have more transparency than my AKG 414s but lack some of the warmth of those mics. No, and there's still a big and clear difference between this and high-end classic mics, and it's especially obvious when you take it to a studio with absolutely first rate gears. Learn More. I can barely tell the difference between the cardioid, figure eight and omni patterns.
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