Chromatic chords contain one or more notes that are foreign to the prevalent key. …which is the G# diminished seventh chord: …can be approached using a dominant seventh (flat ninth) chord that is a half-step above D: Example #1 – Thank You Lord (without the passing chord), Thank you (chord 1): Lowering the ninth tone of the C dominant ninth chord: For example, if a chord progression in the key of C major: For example, the C dominant seventh (flat ninth) chord: A dominant seventh (flat ninth) chord: Passing chords help you get to and from main chords in your progression. …the B  dominant seventh (flat ninth) chord (which is the passing chord) consists of notes that are foreign to the key of C major: D# and F#. …which is D: So, the Eb dominant seventh (flat ninth) chord: The verse features the chord changes C-B-Bf-F. { 4 comments… read them below or add one }. “Here’s Another Example…”. Who Else Needs Extra Help On Third Intervals? Also in the key of A major: EVERY TIME I read these emails I have to stop and check this stuff on a piano – so awesome! Ask Dr. Pokey: “What Is The Main Purpose Of Chord Inversions?” (Part 1). If we substitute the G7 for its tritone substitute, we get D-7, Db7 and C. And if we play both dominant chords one after another we can view Db7 as a passing chord into Cmaj7. Here is another example that uses chromatic passing chords. Piano Chords In The Key Of C Major. The G dominant seventh (flat ninth) chord can be formed by playing the diminished seventh chord of the third tone of the G major scale: For instance, “Bold as Love” places a Gs chord between G and A, fVII and I, at the end of measure 8 just before the beginning of the chorus. Where does the 9 come from? Inspired by his role model (Jermaine Griggs) who has become his mentor, what he started off as teaching musicians in his Aba-Nigeria neighborhood in April 2005 eventually morphed into an international career that has helped hundreds of thousands of musicians all around the world. The following Key Chord Chart shows all the triads in C major as well as four note extended chords.. Onyemachi "Onye" Chuku (aka - "Dr. Pokey") is a Nigerian musicologist, pianist, and author. Here is an example in the key of F. In measure 3, B is a chromatic passing chord connecting the C and Bf chords, V and IV. Basics of Chromatic Passing Chords on the Guitar, Getting to Know the Notes on a Guitar Fretboard, Guitar Theory: Roman Numerals and the Major Scale Chord Sequence. …and that’s the Eb dominant seventh (flat ninth) chord: Here, the key is E minor. B dominant seventh (flat ninth) chord: There are so many ways to approach the formation of the dominant seventh (flat ninth) chord. In the next ten minutes or so, I’ll be taking you by the hand and showing you a passing chord that you can works 100% of the time. To hear this type of progression in a song, listen to “I’m a Man” by the Spencer Davis Group. “The Wind Cries Mary” by Jimi Hendrix uses a chromatic passing chord like the one shown here. In the key of C major: …Lord (chord 3): …the D minor ninth chord (which is chord 2): So, here’s the E dominant seventh (flat ninth) chord: Example #2 – Thank You Lord (with the passing chord). …and that’s the Eb dominant seventh (flat ninth) chord: …by a half-step (to Db): The dominant seventh chord flat ninth chord is one passing chord you can learn and readily apply. Bb dominant seventh (flat ninth) chord: All the best! Desi Serna, hailed as a music theory expert by Rolling Stone magazine, is a guitar player and teacher with over 10,000 hours of experience providing private guitar lessons and classes. Previous post: Fourth Voicings Every Jazz Pianist Must Not Be Without, Next post: Here Are Left Hand Ideas For Starters On The Piano. C dominant seventh (flat ninth) chord: E dominant seventh (flat ninth) chord: …which is the B dominant seventh (flat ninth) chord. That said, apart from the fact that passing chords connect two chords, they are chromatic. Therefore, instead of the regular progression to the 3 from the 1, the passing chord is used to connect the chords. Wow! He owns and operates one of the most popular guitar theory sites on the web, guitar-music-theory.com. For example, the E dominant seventh (flat ninth) chord can be formed by playing the diminished seventh chord of the third tone of the E major scale: The verse features the chord changes C-B-Bf-F. So How Can We Illustrate A Passing Chord? Onye lives in Dubai and is currently the Head of Education at HearandPlay Music Group and the music consultant of the Gospel Music Training Center, all in California, USA. Therefore, instead of the regular progression to the 3 from the 1, the passing chord is used to connect the chords. G# dominant seventh (flat ninth) chord: …to chord 3 (the E major seventh chord): If I understand dominant chords correctly, then the B7 consists of these notes: Why do you call the C dominant seventh a flat ninth in parenthesis? A passing chord is simply a chromatic chord that is used to connect two chords. A proof of the pudding is in the taste, right? …over G on the bass: So, the Eb dominant seventh (flat ninth) chord: A passing chord is simply a chromatic chord that is used to connect two chords. …produces the C dominant seventh (flat ninth) chord: Here is an example of chromatic passing chords in the key of G. This progression uses all major chords with chromatic passing chords between G-A and A-B. For example, if a chord progression in the key of C major: …should progress from chord 1 (the C major seventh chord): …to chord 3 (the E major seventh chord): Both chords can be connected by a passing chord: …which is the B dominant seventh (flat ninth) chord. F dominant seventh (flat ninth) chord: In this course, I have identified the seven most used passing chords in Gospel music, and I teach it all in the key of C. Oh, if you're a beginner guitar player and lost track already, you'll want to get familiar with the major scale on guitar before continuing this lesson. Passing Chords Explained. …where the D major ninth chord: However, we’ll be focusing on the use of the diminished seventh chord of the third tone. There is an example at Chromatic Passing Chords. Eb dominant seventh (flat ninth) chord: A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." Yes, that’s correct. When you move a chord shape up or down by one half step as you move to another chord on the guitar, you’re using a chromatic passing chord. 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The progression starts with a G major chord and moves downward by semitones to Em through Fs and F. While the G chord belongs to E minor, Fs and F are simply serving as passing chords as the progression moves to Em.

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