It seams like every time I look on the builders forums there is someone asking for some info on pine and if you can/should use it to make a guitar body from, and of course every body chimes in and puts in there too cents. Don Mare recommends, and i totally agree with him, alnico V pickups wound in the 6.5-7k range (if using traditional AWG). Best known as the tonewood of Gibson’s radical Modernistic Series of the late 1950s—the flashy Flying V and Explorer—as well as more recent guitars that follow these templates, Korina is a warm, resonant, and balanced performer. The colors can be appealing in their natural states, and they are usually used as one ingredient of many in a multi-wood body. Alder, Soft Maple and Cherry are unacceptably soft as well. Receive news and offers from our other brands? A very dense, hard wood, ebony makes for a fast attack from the instrument—all else being equal—and it offers a muscular, controlled bass, and snappy, sizzling highs. The swamp-ash sound is twangy, airy, and sweet. function utmx_section(){}function utmx(){} It offers firm lows, pleasant highs, a slightly scooped midrange, and good sustain. Add a rosewood fretboard, and a maple neck’s tonal character becomes a little warmer and sweeter, with more sparkle in the highs and thicker lows (tending towards looser). The species is known generically as limba—an African wood related to mahogany, but imported under the trade name Korina. Reply. The lighter basswood body sounded more like alder whereas the heavier basswood guitar sounded more like mahogany, if I may use this as an example. It offers excellent clarity and definition, but has more complex highs than maple, with chunky lows, muscular lower-mids, and an airy, open midrange. Maple is often used as an ingredient in a multi-wood body, where it is generally partnered with a second, lighter wood. Rosewood makes for a very heavy and overly bright-sounding guitar—and an expensive one, too—that is typically more of interest for looks and novelty factor than for tone. Harvested in Africa and Central America, mahogany is a fairly dense, medium-to-heavy wood that yields a wide range of guitar-body weights, depending upon stock sources. It seams like every time I look on the builders forums there is someone asking for some info on pine and if you can/should use it to make a guitar body from, and of course every body chimes in and puts in there too cents. You will receive a verification email shortly. This is the most popular laminated body type of all time. Its high end is usually not as over-pronounced as people might think, although it is a characteristically bright neck-wood choice. © Please refresh the page and try again. Mids tend to have a snappy attack, with a punchy, slightly gnarly edge when the strings are hit hard, but excellent clarity with light to medium picking. Although well-balanced sonically, poplar bodies aren’t particularly resonant or sustaining, and they generally don’t seem to enhance any particular frequency range or overtones. Like ash, alder is most often used on its own as a body wood. pine is also a little more prone to warping then most hard woods however I solve this problem with my 4 piece construction method. Thank you for signing up to GuitarPlayer. and on a 3 or more piece body each piece of wood is less then 5" wide and wood that narrow(@ 1.75 thick the most common thickness for a solid body electric guitar) is unlikely to warp. Spruce and cedar—the two most common woods for the tops of acoustic guitars—will very rarely come into the picture regarding electric-guitar construction, although makers have occasionally offered semi-hollow electrics with thin spruce tops. Good swamp ash is both light and resonant, and generally carries a broad grain that looks great under a translucent finish. Solid basswood bodies have a fat, but well-balanced tonality. As with ash, it’s impossible to discuss alder without making reference to Fender, which first used alder prominently in the late ’50s and early ’60s. Pine is quite strong, glues well and holds screws well , the only real problem with pine is it dose not take stain or dye well and it can look blotchy if the wood is not prepared properly. The solid maple/mahogany body is characteristically rich, warm, and resonant. The second most common guitar-neck wood after maple, mahogany is most often coupled with a solid mahogany or mahogany/maple-topped body. Walnut’s rich brown color and often pleasing grain patterns means it looks good under a simple coat of translucent lacquer. All opinions aside lets take a look at the facts, lets take a look at how soft pine is compared to other common "Hard woods" used to make guitar bodies. (function(){var k='2264601223',d=document,l=d.location,c=d.cookie;function f(n){if(c){var i=c.indexOf(n+'=');if(i>-1){var j=c.indexOf(';',i);return escape(c.substring(i+n.length+1,j<0?c.length:j))}}}var x=f('__utmx'),xx=f('__utmxx'),h=l.hash; Whether in the form of a solid, one-piece neck with integral fretboard, or a neck with an added fretboard of a second type of wood (usually rosewood), maple is easily the most common type of neck wood used in solidbody guitars. Most comments are about how "soft" pine is and how it warps and how its not a "tone wood" and of course none of them have ever built a guitar from pine and have no idea what they are talking about, but that's just my opinion. Mahogany has a warm, mellow tone with good presence in the lower mids. Basswood: the principal wood used on many Japanese made instruments. V. vanguard Member. That As for the classics, the Gibson Les Paul Jr., Les Paul Special, and SG were made of solid mahogany (with mahogany necks), and countless makers have used the wood in both solid and semi-solid designs over the years. Future US, Inc. 11 West 42nd Street, 15th Floor, Would a pine tele sound similar to a basswood MIJ from Ishibashi? Woods such as purple heart, wenge, koa, bubinga, and muira piranga are used by custom guitar-makers, but don’t feature highly in mass-production guitars. I'll be using the published Janka Wood Hardness Scale. Pre-made bodies already come dried and seasoned so it is not an issue. I already know what your thinking that I've lost my mind, half of the guitars that where made in the 80's where made from Bass Wood and about 75% of all guitars ever made are made from alder. This more porous, open wood doesn’t quite have maple’s hardness, strength, or stability, however, and it isn’t suitable as a fretboard material. Please note that in this “All About” we’re talking about tonewoods in solidbody and semi-acoustic electrics. OK maybe those numbers are a little high but you get the point. d.write('
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