TELEFUNKEN Elektroakustik’s historic recreations of the ELA M 251E exemplify the best qualities of the finest specimens of these legendary beasts, and while more expensive than most modern microphones, they are true to the heritage of their 50+ year old brethren. Unfortunately for TELEFUNKEN GmbH, these field replacement provisions also proved to be a sales impediment outside of the orchestral recording world as the plastic bits employed in these microphones added significant cost to the construction of the microphones. Arguably the most beautiful microphones ever produced, the TELEFUNKEN ELA M 250 / 251 was originally sold in two variations: the "ELA M 250E / 251E" version utilized a 6072a tube, while the "ELA M 250 / 251" version contained a TELEFUNKEN AC701 tube. ELA M 251 E Review this product Sell this product. Developed specifically for microphone applications, the AC701 is a sub-miniature triode vacuum tube that produces a very rich and opulent tone. 0 Used It. This convenience was something the broadcasters of the time found to be a major plus as they had thousands of dollars of musicians sitting around for the live music broadcasts of the day. Please note that we will continue to produce our most popular flag ship microphone, the ELA M 251E, which features the more common GE JAN 6072a vacuum tube. 0 Own It. The ElaM 251E is a recreation of AKG’s Telefunken ELA M 251E microphone, a multipattern, large-diaphragm tube condenser. https://www.telefunken-elektroakustik.com/microphones/ela-m-251e The classic diamond shaped TELEFUNKEN logo badge is attached to the front of the microphone with the ELA M model name engraved at the base of the headgrille. Once the body tube was removed either the capsule or the amplifier could be replaced in under a minute, saving precious time during an expensive broadcast or orchestral recording session. Both the C12 and U47/48 microphones require a fair bit of knowledge, a steady hand, as well as a couple of screwdrivers to get to the internal workings of the mic. Today, prime examples of vintage ELA M 250 / 251 [both "E" and "non E"] microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market. The Telefunken ELA M 251E large-diaphragm tube condenser mic is a faithful rendition of a legend. Any time saved cut down on the expense of the session, and added to the quality of the broadcast. While many more microphones were distributed and designed by TELEFUNKEN, the U47 and ELA M 251 remain their most famous contributions to … ELA M 251 E When you buy products through links across our site, we may earn an affiliate commission. Learn more. M80; M81; M82; M80-SH; M81-SH; M80-WH; M81-WH; Custom Shop; ELA M 260 Series; M60 FET Series; Stereo; Drum Packs; Direct Boxes. The TELEFUNKEN ELA M 251E includes an edge terminated, dual backplate CK12 capsule capable of cardioid, omnidirectional and bidirectional polar patterns, a 6072A vacuum tube and a Haufe T14/1 output transformer (the same found in the AKG Acoustics GmbH C12). Built from a glass enclosure, its characteristics include a very low self-noise floor, a low degree of microphonics, and a propensity for an exceptionally long life (so long as the voltages provided by the power supply were correct and stable) which meant far less maintenance and consistent results. The heart of any 251-style mic is the capsule. From 1947 to 1958 TELEFUNKEN GmbH used their established global distribution network for the products produced by Neumann GmbH, which were sold under the TELEFUNKEN name with a TELEFUNKEN logo badge. While the C12 accomplished pattern selection with an outboard switching device that was connected to the power supply, the ELA M 250 / 251 eliminated that addition to the system and minimized both the quantity of wires that had to run to the microphone as well as the expense of the external pattern selection box. The ELA M 251E large diaphragm tube microphone is one of the world’s most sought-after recording tools and TELEFUNKEN Elektroakustik’s recreation, true to the original in every detail, delivers the same rich sonic response. TF11 FET; TF29 Copperhead; TF39 Copperhead Deluxe; TF47; TF51; Dynamic Series. “I just figured people were stuck in their homes in need…, Multitrack YouTube Channel Hits One Million Views South Windsor, CT, June 2019 – Renowned performer/recording artist and Men At Work frontman Colin Hay has been a TELEFUNKEN supporter for many years and is presently touring internationally with his band. In 1958 when Neumann GmbH notified TELEFUNKEN GmbH that they had decided to not renew their distribution contract, TELEFUNKEN reached out to AKG Acoustics about the possibility of AKG creating a "U47 like" model for TELEFUNKEN to plug into their global distribution network. Around 1958 Neumann GmbH also released their U48 microphone, which featured cardioid and bidirectional pattern selection. M80; M81; M82; M80-SH; M81-SH; M80-WH; M81-WH; Custom Shop; ELA M 260 Series; M60 FET Series; Stereo; Drum Packs; Direct Boxes. Polar Pattern: Cardioid, Omnidirectional, Figure-8, Capsule: TELEFUNKEN Elektroakustik CK12 - Edge Terminated Large Diaphragm, Included Accessories: Tube Mic Cable, Power Supply, Shock Mount, Wooden Box, Flight Case, Maiko Horisawa is seen in the studio with her TELEFUNKEN ELA M251E large diaphragm condenser microphone. TELEFUNKEN Elektroakustik’s historic recreations of the ELA M 251E exemplify the best qualities of the finest specimens of these legendary beasts, and they are true to the heritage of their 50+ year old brethren. That twist is the implementation of Alloy 2213™ as the diaphragm membrane material for the CK-13™ capsule.
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