Telefunken's range of mics includes premium valve and solid-state capacitors (both small- and large-diaphragm types), as well as a selection of moving-coil dynamic models, of which the latest is the cardioid M82. ElectroVoice's RE20 is the archetype here and is considered a classic in both roles — you're as likely to see one suspended over a radio mixer as you are to find one mounted inside a kick drum. Telefunken Elektroakustik +1 800 882 5919. It is just over 15cm in length (including the threaded XLR socket — the body itself is closer to 12cm), and has a diameter of just over 6cm. The aforementioned switches are both labelled, with the text being accompanied by handy 'mini-response-plot' graphics. I set the mic up so that its capsule was poking a couple of inches or so into a Pearl Masters-series 24-inch kick drum via a port in the resonant head. The M82's nominal frequency response is fairly typical of a moving-coil mic. In all, I found the M82 a very useful mic. The Kick EQ switch invokes a broad cut between 100Hz and 1kHz, which reaches its deepest (-7dB or so) just below 300Hz. I couldn't decide whether I preferred the Kick EQ switch in or out on vocals. This is said to eliminate the 'boxy' character of some kick drums. What is a "hybrid" audio interface anyway? . In its 'normal', flat setting the M82 had a punchy, pleasing lower-mid 'oomph' to it, and a healthy balance between the resonance of the shell and the attack of the (felt, in this case) beater. Is this the last kick-drum mic you'll ever need? Telefunken's range of mics includes premium valve and solid-state capacitors (both small- and large-diaphragm types), as well as a selection of moving-coil dynamic models, of which the latest is the cardioid M82. After purchasing the Telefunken M82 it is almost a dead toss up for my personal mic preference depending on which size kick drum I'm using. Although it might seem expensive for a dynamic microphone, the voicing options appear to have been well judged, and as a result the M82 is capable of delivering a very broad variety of kick-drum sounds. All rights reserved. Web site designed & maintained by PB Associates & SOS. There was a slightly boxy quality to the sound, but switching in the Kick EQ (mid-cut) cured this completely. The final voicing on offer was the combination of high boost and no mid-cut, which I didn't find quite so useful. Included with the review model was an M782 threaded mounting clip, a 'pencil-case' style carrying pouch, and an XLR cable with a right-angled plug at the female end. In almost all of my spoken-word comparisons with the Heil I preferred the M82, the exception being that the Telefunken sounded a mite more woolly in 'flat' mode. For my tests, I plugged the M82 into my Soundcraft Series 600, taking a direct out and feeding it into Pro Tools HD via a 96 I/O interface. Telefunken M82 Broadcast Dynamic Mic Review / Test - YouTube The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Mastering Essentials Part 3 - How loud should I master? The mic's sensitivity is given as 1.85mV/Pa (again, this is fairly typical, and exactly the same as that of the ubiquitous Shure SM58), while its maximum SPL is 160dB. In terms of look and feel, the M82 is what I would describe as 'stocky'. There are plenty of capacitor mics to choose from, however, including the Sontronics DM1B and the rather more costly Milab BDM01. What makes the M82 somewhat unusual (although not unique — see 'Alternatives' box) is its two 'voicing' switches, marked Kick EQ and High Boost. A rugged, large-diaphragm dynamic mic that, while expensive, provides good value in terms of offering a wide range of tones. Moving-coil mics have an inherent tolerance of high SPLs, which is an absolute necessity for a kick-drum mic, while the proximity effect that all cardioid mics display lends up-close vocals a bassy, authoritative, 'voice of god' type quality, which is ideal for radio and TV voice-over work. Re: Why does Liam Gallagher's vocals sound shit? Telefunken Elektroakustik M82 4.75 out of 5, based on 1 Review A flexible kick drum dynamic microphone that also excels with voice overs, bass amps, and brass instruments. It is, however, specifically recommended for kick drums and 'broadcast' (spoken) vocals. This thing just doesn’t meet expectations you will have for a $400 microphone when it comes to Spoken Word, Singing, Electric Guitar, or Acoustic guitar. One Synth Challenge V - The Filter Strikes Back! Telefunken Alchemy Series | Audio Examples. There are a couple of narrow peaks, centred around 9kHz (+3dB) and 6kHz (+6dB).
Esprit 120mm Ed Apo Triplet Refractor,
Erysiphe Alphitoides Treatment,
Wireless Network Connection Not Showing In Windows 7,
European White Oak Vs American White Oak,
Barstool Pizza Frozen Review,
Journal Of Health Law And Policy,
Best Places To Live By The Beach,
Sealy Omniplush Crib & Toddler Bed Mattress,