Both mics perform very well but sadly they've been discontinued. What did you do? Like its predecessor, the TLM 67 is a versatile studio workhorse with three polar patterns, pad and low cut options. He knew about my extensive mic aray (U47, 800G, Rode Tube Classic, U87, C12, M149), but brought a mic he just got off Ebay. I insisted on the U47, but he was dead set on the 67. The question becomes do you end up paying so much more just for the polar patterns with no discernible sonic advantage? Inside the TLM 67, Neumann is using surface mount technology similar to that in the TLM 103. What we have is a three-pattern, FET, condenser microphone with two, large Mylar diaphragms, switchable 10 dB pad and high-pass filter. In that relative order, the sensitivities at 1 kHz into 1 kohm are 10/18/9 mV/Pa. The TLM 67 captured that classic slightly overdriven Vibrolux tubey edge very accurately, without adding any edge of its own. To mark Neumann's 80th year of business, the TLM 67 is based on the company's classic 1960s U67 microphone. On my D28S Martin and 314 Taylor, I liked the high-pass filter on because these instruments have a plenty of LF energy. However they are both fixed cardioid pattern only and having the versatility of switch-able polar patterns is of course very desirable in some applications. Update your browser to view this website correctly. Meanwhile, the TLM 67’s noise specs are kept at a minimum, as low as 11 dB-A in the cardioid pattern. For more information, visit www.neumannusa.com, or to download a brochure in PDF format, click here. The figure of eight nulls are very deep. Unlike most of the MXL range (and many other cheap condenser mics that are made in China and re-branded with or without modification) the M3 & V6 were designed made in the US and reportedly only discontinued because some of the components become too expensive or hard to get. Neumann U67 and Neumann U87 come from the same family of condenser microphones. A variety of accessories are available, including the EA87 elastic shock-mount suspension (shown in photo), a foam windscreen and a pop filter. Selfnoise is not a problem. Nonetheless, Neumann staff maintain that the reissue U67 was identical to the original in every way but one — the output connector differed. Selfnoise is not a problem. The patterns are the typical omni, cardioid and figure of eight. Specifications The TLM 67 captures the spirit of Neumann’s classic U 67, which defined the sound of the 1960s. It would be a tragic mistake to presume the M3 has the attributes of a TLM 67, or sounds anything like it. “The design and circuit technology of the TLM 67 represent a contemporary development of the U67, conveying its positive attributes to the present era,” explains Neumann Berlin sales/marketing president Wolfgang Fraissinet. The cardioid is fairly wide. I've always been a fan of the classic U67 so this is interesting... to date the closet thing I've encountered to the qualities and frequency curve you describe in this review has been the very inexpensive MXL M3 I own (I also own an MXL V6, which has a much more prominent presence peak around 10K). If you have thin sounding sources that you’re trying to beef up a bit, then run without the filter. Equivalent noise levels, CCIR are 29/24/30 dB. they are referred to as “Silicone Tube” by MXL, they have no vacuum tube and are essential FET mics. They may look quite similar, and they indeed share a number of similar features such as the switchable polar pattern, pre-attenuation pad, and high-pass filter. The other weekend I had a friend come over and track some vocals. The new mic shares the TLM (transformerless microphone) approach of other recent Neumann designs, in which an electronic circuit mimics the action of a conventional output transformer, providing good common-mode rejection to suppress interference signals that affect the balanced modulation line. Despite the similarities, there are a few distinctive features between Neumann U67 vs U87 that may make one of them more … Billed as a “contemporary development of the legendary U 67,” the TLM 67 is a dual-diaphragm, three-pattern, large-diaphragm microphone built on the K67 capsule made famous by Neumann’s U67. As a continuing part of its 80th anniversary celebration (1928-2008), Neumann unveils the TLM 67, a new microphone based on its legendary 1960s workhorse U67. The Neumann U 67 is also known as: U 60, U67. The TLM 67 sounds even quieter than its quoted figures. Three directional characteristics—omnidirectional, cardioid or figure-8—can be selected via a switch located below the grille. Powered by. The omni is mildly beamy at high frequencies, but most are. Published: 05/23/2008. If I had to buy a new mic today, I'd be hard pressed to choose between a U 89i, one of which I already have, or a TLM 67.Regards,Ty Ford, Rock n Roll Rentals site is updated.http://rocknrollrentals.com/gear/microphones/, Technique, Inc. © All Rights Reserved. The. So, which one is better? The cardioid is fairly wide. Das U67 war in den 60er Jahren, also einer Zeit, in der alle Kondensatormikrofone in Röhrentechnik gebaut wurden, weil es […] As a continuing part of its 80th anniversary celebration (1928-2008), Neumann unveils the TLM 67, a new microphone based on its legendary 1960s workhorse U67.

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