CLA Vocals retains the Bass, Treble and Compress sliders of CLA Drums, and adds three more of its own, offering different flavours of reverb, delay and stereo effects. 4) I don’t love using the mouse and mixing has felt like a big chore to me . By using our services, you agree to our use of cookies. The Waves Ltd. CLA (Chris Lord-Alge) Drums plug-in is one that is only found in the Chris Lord-Alge bundle of custom plug-ins. When mixing, you often find you want to apply a long tempo sync'ed delay to just one or two phrases in a vocal performance, and this provides an easy way of doing just that. This plugin is meant for mastering drums, obviously. On my (admittedly not particularly new) test machine, each instance I added bumped up Cubase's CPU meter by about 20 percent, so using six in a mix would be a complete non‑starter. Reviewing these plug‑ins was an interesting and, in some ways, humbling experience. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. I wanted to use them on everything, but I simply couldn't! The company released the Berzerk distortion plugin on Black FridayRead More I never read the manual, but I don't think it's really necessary for these plugins. 3) I want to mix with my ears and not my eyes as the cliché goes . Waves are no strangers to big desk emulation, and this one’s a beauty, exuding analogue warmth, depth and focus. Dell Inspiron laptop with 2GHz CPU and 4GB RAM, running Windows XP SP3. It's been a long time since I felt the pinch of CPU resources so acutely when mixing. It's definitely also useful as an individual processor, but I've personally found it to be best suited for use on a full drum kit due to the nature of the parameters. Once again, it's a pretty genre‑specific plug‑in, but one that offers a fast and very convincing route to a classy, modern rock‑guitar sound. A neat and fun idea is the Hold/Throw switch above the input sensitivity fader. Having spent quite a while crafting what I thought was a pretty good stereo acoustic guitar sound using other plug‑ins, I thought I'd test CLA Unplugged by seeing if it could match my own efforts. And you can do that — but as I've already mentioned, these are CPU‑intensive plug‑ins, and the particular problem with this arrangement is that even when individual effects such as reverb or delay are deactivated, they still use CPU power. Of the six plug‑ins, this was the one I found myself using the least, perhaps because a 'one size fits all' processing chain for something as variable as the human voice is never going to suit all tastes and all voices. We are, after all, talking about the most important and prominent element of the mix, and to my mind, you really need fuller control over reverb and delay times than can be provided by a single slider. In the past, I have tended to be prejudiced against computer programs that try to do things for you; in the long term, surely it's more useful and more rewarding to learn how the different types of mix processors work and apply that knowledge in practice, rather than relying on what is at root an opaque, preset‑based approach? I tried it on kick and snare and found the results less to my taste; it's easy to push things too far and end up with a sound that is flat and lifeless. But if you have the power to run them, the temptation to load up a single plug‑in and choose a preset rather than spend hours mucking about with complex effects chains becomes very strong indeed! In CLA Drums, to pick a starting point more or less at random, the extra control I mentioned adapts the plug‑in to the source, so you can tell it whether it's dealing with a kick drum, snare, tom, overhead, room mic or, er, cowbell. To my mind, a nice way of using the CLA Effects plug‑in would be to run several instances of it on separate aux sends, each with only a single effect active. It’s of course not going to allow you as much control over the individual processors … It's easy enough to use that I don't believe a manual is necessary. The masses love it and it undeniably comes across well on the radio, sounding 'loud and punchy' when heard alongside other mixes. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Whether or not you like the American rock sound of Chris Lord-Alge, you can't deny his domination in that field of music. Most impressive. You may login with either your assigned username or your e-mail address. Rated 4.5 / 5 by 11 customers! CLA Vocals retains the Bass, Treble and Compress sliders of CLA Drums, and adds three more of its own, offering different flavours of reverb, delay and stereo effects. Watch the video to learn how the bucket system which has a maximum of 8 groups of 8 channels (total of 64 channels) works and to hear how each of the modules perform in a session featuring live multitrack drums, bass guitar and keyboard. I installed this plug-in along with the full bundle of Waves plug-ins, so installing this wasn't any different than installing the rest of the Waves plug-ins out there. For acoustic instruments, the Waves Ltd. CLA Unplugged plug-in is a great way to instantly get a nice palette of sounds. I suppose that's why people pay Chris Lord‑Alge a lot of money to mix their records. Running a separate instance on every channel of a multitrack drum recording would take serious computing power. In practice, I found myself really liking this plug‑in on overheads — I've never usually had good results from using lots of reverb and compression in this context, but a couple of fader moves in CLA Drums produced a really punchy, hard‑hitting sound that barely needed the addition of close mics. To the familiar low and high EQ and compression sliders, it adds a delay and two separate reverbs, each of which can have its pre‑delay adjusted. Capable of creating some sounds that are not easily reproduced with other plug‑ins. The biggest of all these scalps is arguably Chris Lord‑Alge — the superstar mix engineer who, along with his brother Tom, has perhaps done more than anyone else to shape the sound of modern rock records. Such all-out sonics can become tiring on th… On top of those sliders, you also have specific buttons you can adjust for certain frequencies. Rated 4.0 / 5 by 11 customers! As you'd expect, all of the six effects here sound great, but the way they're put together into a single unit highlights a problem with the overall design of these plug‑ins. I know not what amplifiers were modelled to create this, but I want them! All of the plug‑ins are CPU‑intensive, and don't release CPU resources even when individual processes are switched off. One Synth Challenge V - The Filter Strikes Back! Overall, I was left with the impression of a plug‑in that excels if you want a particular kind of rock drum sound, but would be less useful in other musical contexts. ... i’ve grown to appreciate SSL on almost everything but especially drums . They won't suit every genre of music, but there's a place for them in almost anything involving guitars and drums, and to my mind, these are perhaps the most successful Artist Signature Series plug‑ins yet. What is a "hybrid" audio interface anyway? Once you get the program up and running, there isn't much of a learning curve to get it working. PreSonus StudioLive 32SC Series III Mixing Console. I killed the other plug‑ins, inserted CLA Unplugged, chose the first preset with 'acoustic' in the title... and wept bitter tears, because not only did it match the plug‑in chain I had laboriously assembled myself, it sounded miles better. That way, it would be easy to balance the amounts of delay, reverb and chorus you want on each individual source. I didn't experience any compatibility issues, so I can't comment on that. If you want to see more Waves Audio Plugin reviews be sure to subscribe to Simple Green Tech on YouTube. Not all of us can afford to have our tracks mixed by Chris Lord‑Alge. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The CLA Artist Signature Collection consists of six plug‑ins: CLA Drums, CLA Bass, CLA Guitars, CLA Effects, CLA Unplugged and CLA Vocals. His sound is characterised as full-on yet light on mid-range tones. Better still is CLA Bass. Fantastic‑sounding processors that are versatile enough to cover most elements of a rock mix. It's not surprising that these plug‑ins are CPU‑intensive, though it is disappointing that the individual elements within them don't release CPU resources when switched off. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Why does Liam Gallagher's vocals sound shit? You have slider for input, bass, treble, compress, reverb, gate and output. CLA Drums, Software channel strip from Waves in the CLA series.
Ham Casserole Recipes,
Soul Food Mashed Sweet Potatoes,
Scribd Com Reviews,
Pineapple Habanero Sauce Recipe For Wings,
Multidimensional Niche Meaning,