The noise figure is comparable with that of many other similar style microphones, with an EIN of 18dB A-weighted — maybe not the lowest noise figure around then, but certainly not an issue in typical studio applications. The Origin has frequency response of 20 Hz to 20 kHz, +/- 3 dB. - Frequency Response: 20 Hz - 20 kHz (+/-3 dB) - Equivalent Noise Level: 18dB A-Weighted - Sensitivity at 1 kHz into 1 kohm: 23.7 mV/Pa - Maximum SPL for THD 0.5%: 127 dB - Signal-to-Noise Ratio (rel. The third-party capsules and other key electronic components are, we’re told, chosen following extensive ‘golden ears’ listening panel tests to choose the best-sounding combination of capsule and circuitry. It Sounds So Warm and Intimate At a glance, the tech description of the Aston Microphones Origin show it has a frequency response of 20Hz – 20kHz (+/- 3dB), which on paper is very impressive. Win! With the filter in, popping is reduced to the point that it can be considered negligible, but in the studio I’d probably choose to leave the filter off and still add an external pop shield. There’s also a -10dB pad switch for louder sources and an 80Hz low-cut filter. Novel mechanical design improves shock isolation and gives extra protection against knocks and bumps. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. All rights reserved. Although Aston Microphones are a new company, the people behind the brand have no shortage of experience in this market. You may login with either your assigned username or your e-mail address. The Origin’s stainless steel body has a number of unique features, including a metal body that is tumbled for four hours to pre-age it, thus eliminating the need to be painted. Web site designed & maintained by PB Associates & SOS. Mastering Essentials Part 3 - How loud should I master? The mesh can be removed and cleaned with water when necessary. Frequency response: 20Hz - 20kHz (+/- 3dB) Equivalent Noise level: 14dB A-weighted Sensitivity at 1 kHz into 1 kOhm: 23.7 mV/Pa Maximum SPL for THD 0.5%: 138 dB Polar Pattern: Omni. Re: Why does Liam Gallagher's vocals sound shit? Frequency Response: 20Hz - 20kHz (+/- 3dB) Equivalent Noise Level: 18dB A-Weighted Sensitivity at 1 kHz into 1kohm: 23mV/Pa Maximum SPL for THD 0.5%: 127dB Pad Switch: -10dB/0 dB Low-Cut Filter: 80Hz 48 Volt Phantom power (+/- 4 Volts) is required for operation Aston Origin Polar Pattern Frequency Response Cardioid Condenser Origin 0dB The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. One downside of the origin is that it seems to be very sensitive to how it is placed. The mic has a large-diaphragm, center-terminated capsule. In lieu of a traditional grille or headbasket, the Aston Origin - as well as its sister mic, the Spirit - has a stainless steel flexible mesh-like fabric as a pop filter, surrounded by a “wave spring”, also made from stainless steel. The Origin is a side-address, cardioid-pattern mic with a one-inch diaphragm diameter, and is fitted with both a -10dB pad switch and an 80Hz LF roll-off switch. But neither the Spirit nor the Origin sounded quite as forward on the deeper, quieter sections of the performance. Low-cut filter can sound a little fierce in some applications — it may be better to use the one on the mic preamp. This pretty much covers the audible spectrum of what we can hear. Length: 175mm/6.89” Width: 54mm/2.13” The Aston Origin is a cardioid-pattern microphone with a one-inch diaphragm diameter and has a -10dB switch and an 80Hz LF Roll-off switch. What is a "hybrid" audio interface anyway? Aston Microphones Ltd. is a UK manufactured brand of boutique microphones, the Aston Halo refelection filter and accessories. In this design there are just two very thin, internal posts supporting the basket. The ‘built in Britain’ provenance doesn’t hurt either, and I do like the departure from conventional styling. Users report that the mic has a neutral sound that is somewhat flattering to the source: […]the Origin’s tonality comes across as subjectively natural with good clarity, a sense of weight and a lack of harshness[…]. Frequency Response; 20Hz – 20kHz (+/-3dB) Equivalent Noise Level; 18dB A-Weighted Sensitivity at 1kHz into 1kohm; 23.7mV/Pa Pad Switch; -10dB Low-Cut Filter; 80Hz In my experience this is particularly true of female vocalists as, in general, they have more high-frequency complexity in their voices. My vocal tests revealed that the mic sounds noticeably different depending on whether the low-cut filter is switched in or not. Did we get anything wrong on this page? On the bottom of the mic body is a zinc plate with integral threads, designed for direct stand mounting with no additional shock mount needed. Specifications The frequency response is 20Hz-20kHz (±3dB), and there’s a very gentle presence hump centred at around 10kHz in both cardioid and omni modes to add a little airy detail to the sound. The Aston Origin has a frequency response of 20Hz – 20kHz, maximum SPL of 127dB and equivalent noise level of 76dB-A. Picked guitar sounds suitably articulate and little, if any, EQ is necessary to coax a good sound out of the pairing. All mics sound slightly different from each other, even when the specs look similar, so much depends on your personal interpretation of what constitutes a ‘true’ or artistically satisfying sound. Click the 'X' at the top right corner to dismiss this window! The Aston Origin is a large diaphragm, fixed-cardioid, transformerless condenser microphone, designed and assembled in the UK. The honeycomb-shaped wave spring is designed to be flexible, deforming on impact but reforming to its original shape. Maximum SPL is 127 dB, or 137 dB with the pad on. Alternatives The Aston Spirit expands on the Origin … The Aston Origin is a large diaphragm, fixed-cardioid, transformerless condenser microphone, designed and assembled in the UK. It is sold in a padded cardboard box. The main barrel of the body is made from stainless steel with a ‘tumbled’ finish and laser-engraved legending, lending it a ‘lived-in’ look. Given the relatively low cost of the Origin, it compares very well with other mics in the same price range and it can even give some significantly more costly mics a run for their money. Very affordable — and it comes with a free Rycote shockmount for the first few months. A discrete Aston logo denotes the hot side of the mic. Despite the zinc being a soft metal and prone to crossthreading, the design of the threads makes that unlikely. The wave spring, besides being visually distinctive, is Aston’s solution to microphone grills that get dented and deformed on impact. If you can get one while the Rycote shockmounts are still being bundled with it, the Origin is even more of a bargain. Q. Why does Liam Gallagher's vocals sound shit? A discrete Aston logo denotes the hot side of the mic, which features a transformer-balanced output and requires standard 48V phantom power (±4V) to run. Aston Microphones Origin Frequency Chart: Cardioid. Unlike almost every other affordable studio microphone company, Aston design assemble and test all their mics here in the UK. Top-of-the-line electronic components, such as the WIMA capacitors often found in boutique models, are used in the design, and the housing is also unusual in that the conventional basket has been replaced by a stainless-steel ‘spring’ cage structure that is not entirely rigid. Sonically, as indicated by the frequency chart, the mic has a slight rolloff below 100Hz, a flat low mid-range, and a gentle rise in the high end, starting at 4kHz and rising to +5db at 10kHz. The noise level is higher than some competing large diaphragm condensers, but it wasn’t high enough to cause any problems. During testing, Aston claims the capsules have an approximately 80% rejection rate. Its sensitivity is 23.7mV/Pa (at 1kHz into 1kΩ), and its maximum SPL handling ability is 138dB without the pad switched in. PreSonus StudioLive 32SC Series III Mixing Console.

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