First, I want an Aux with the dry kick being bussed to it. Best,
I've also slapped an Adlimiter on the Stereo Output channel strip. He has been a visiting lecturer at Bath Spa University's Teacher training program, facilitating workshops on using music and digital media tools in the classroom. Not so fast! Today’s music is really compressed. In Audio Example 1, you can hear a dry, unprocessed kick drum in Logic Pro X. Going Pre-Fader would make it easier if the levels are pretty much where you want them... but Post-Fader means any adjustments you make to the original fader level will be reflected on the Parallel channel... which might be what you want... or might not be. I'd also highly recommend checking out Olav Basoski's Electronica Workflow Tricks tutorial for more Compression, EQ, Side-chaining and Advanced Studio Production techniques. Listen to the change as it occurs in Audio Example 2, then listen again to Audio Example 1. macProVideo.com is an online education community for creative computer users. If you need support, please visit our. All Articles; Tutorials; News I've chosen Bus 20. Learn more. A compressor works by lowering the gain when the signal jumps above a certain level or thr. See Pic 6 and listen to my end result in Audio Example 6. Select "Create New Auxiliary Channel Strip" and a new fader will be created next to your normal drum mix. In fact, it's a technique that, whilst commonly applied in the Mixing stage, can even be used when Mastering a track to give it more presence. Setting Up and Mixing With Parallel / New York Compression in Logic Pro X. Hey there! Different peeps mix in different ways, so depending on your mixing style and the material you're working with try both post and pre fader. You explain everything so clearly. I'll rename mine "Dry Drums". Compressors can be a great way to even out the dynamics of a drum mix, vocal performance or any audio signal. Parallel Compression isn’t anything new.
Jay is a Los Angeles-based composer, songwriter, arranger and orchestrator, conductor, keyboardist, as well as vocalist. Either way, this technique is used on lots of records and has some significant advantages over just using the wet and dry knobs in your favorite software compressor. The amount of extra body you choose to add will depend very much on the instrument(s) and the genre of music you're mixing. If you're looking for Rounik, you'll most likely find him (and his articles) on Ask.Audio & macProVideo.com. I always wondered if using pre fader sends were a good choice for maintaining better stability? Not so fast! Let’s try a little parallel compression. Fantastic, but I have saved the best for last. Oscillator-Based vs. Sample-Based Synthesis. But just what is it and how can you emulate it in Logic Pro X? In this tutorial we'll explore how to apply parallel compression using the Bus Send technique in Logic Pro, but y Experiment with more pronounced compression settings on the "Big Comp" channel strip for a larger bodied feel. Best This step is optional. Easy-peasy, no worries, let’s call it a day? Thanks again for these great tricks. As a composer, he is best known for scoring the New World Television series, Best Black Friday Deals For Musicians & Producers 2020, Behringer Replies To Arturia Statement on Swing vs KeyStep: Competition. So I started experimenting with Parallel Compression. Clean drums and compressed drums. Copy the link below and paste it into an email, forum, or Facebook to share this with your friends. Good point Victor! Created by artists, for artists, macProVideo.com is dedicated to helping YOU realize your dreams by learning new & inspiring computer skills. Compressors can be a great way to even out the dynamics of a drum mix, vocal performance or any audio signal. Most often the impression is that it "fattens" the sound. In this tutorial we'll explore how to apply parallel compression using the Bus Send technique in Logic Pro, but you can follow along in Logic Express or any DAW of your choice. All Articles; Tutorials; News; Classes. Playing back your project will reveal that you've increased the volume level of the drum sound. Insert a Compressor plugin on the first insert slot of the "Big Comp" Aux channel strip. This is very useful, Rounik! This has brought me to a much more ballsy sound in my opinion. Logic Class; Home; Articles. A compressor works by lowering the gain when the signal jumps above a certain level or threshold. Label this one "Parallel". In Pic 1, you can see that I have opened a Logic compressor with a “slammed” preset. You may wish to send from the separate drum channel strips or from the "Dry Drums" Aux channel. Thanks Adam! This mix worked very well.Actually, incredibly well. Our courses focus on artistic skills like Making Music, Video Editing, Graphic Design, 3D Modelling & Game Dev, Photography, and Web/Computer Programming. See Pic 2. We do not respond to this form! Click and hold on the top insert slot and choose Dynamics > Compressor I like to add some light compression to the Dry Drums Aux to help all the elements gel together. Do you want to learn Sound Design, Synthesis and Sampling? Hope you find the technique useful in your music productions. Here's what the loop sounds like "dry": We're going to route the entire signal from the 4 channel strips via a Bus to a new Aux Channel Strip. Logic Class; Home; Articles. The added audio samples are invaluable. All Articles; Tutorials; News; Classes. Now carefully increase the level fader while listening to the loop. The Facts, 6 Logic Pro 10 Sampler Features You Need To Know, Behringer Announces Swing, 32-Key USB MIDI Controller & 64-Step Polyphonic Sequencer, iCON Pro Audio Releases Duo22 Live & Duo44 Live USB Audio Interfaces For Mac, PC, iOS and Android, How To Liven Up Loops Using Cubase’s Built-In Tools. Here I am using McDSP’s Retro Compressor with its Thwack preset. See it in Pic 5 and listen to it in Audio Example 5. In Audio Example 3, I have set the Mix knob to the 2 o’clock position and that is pretty nice. parallel compression in logic...??? Now I have a far greater level of control. Rounik is the Executive Editor for Ask.Audio & macProVideo. Any other advantages or disadvantages on that front? In Pic 4 you can see the levels I have chosen and hear the result in Audio Example 4. Experiment with the Ratio, Attack and Release and try the different Compressor Circuit types too. Why then choose a pre-Fader send (Green) which is untouched by any change for the fader itself and if one were selected, wouldn't that make it easier to simply adjust the compressed channel down since the feed levels are still as needed in terms of mix? Although infamous due to it's use on drums, this technique can be used for any instrument in any virtually any musical genre with great results. Since the compressed Aux is a parallel feed and is controlled separately, it seems like a good idea. Copy the link below and paste it into an email, forum, or Facebook to share this with your friends. When a mix is made, the send levels which if blue are post fader and will track the fader in the event the fader is changed.
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