Like its predecessor, it uses the classic K47/49 large diaphragm capsule in an acoustically open headgrille. The M 149 Tube is a modern version of Neumann’s famous M 49 microphone. Youtube Video. ... Directional characteristic: cardioid, Frequency response: 30 - 18000 Hz, Sensitivity: 25 mV / Pa, Max. Or, of course, you could also go for the Gefell CMV 563 / M7S which is a re-release of a 1950's classic with a genuine Georg Neumann M7 capsule. Not only is the M 149 a superb microphone for vocalists in any genre; unlike many other modern tube microphones, it is also an amazingly versatile microphone for a wide range of instruments, such as piano, acoustic and electric guitar, upright bass, percussion, drums overheads, as well as solo strings, brass and woodwind instruments. Its innovative transformerless tube circuit ensures optimal sound with lowest self-noise. The final stage is a high-precision, ultra-low distortion transformerless output stage, which preserves the full dynamics of the preceding tube circuit and is optimized for 21st century signal chains. It is the first new “Tube” microphone design from Neumann in over 30 years, and also the world’s first transformerless tube microphone. The M 149 continues in this tradition, augmenting the timeless fidelity of its predecessor with updated technology and improved performance specs. The M 149 is a universal studio microphone with tube electronics in the tradition of the legendary M 49, the large diaphragm condenser microphone that raised the standard of audio recording in the 1950s and has shaped the sound of countless jazz and pop albums ever since. It was this innovative combination of classic tube technology with state of the art Neumann engineering which earned the M 149 a prestigious TEC Award in 1997. Danny Munro performs with an M 149 in 2008 at Rudisill Recording. Thanks to its extended frequency response ranging from 5 Hz to 30 kHz the NDH 20 is particularly helpful to check the upper and lower extremes of the audio band. Classic Neumann Sound with 21st Century performance. Elvis-has-returned-to-the-building.pdf Neumann M 149 polar patterns and frequency response. The M 149 offers higher sensitivity and much lower noise than vintage tube microphones. This delicate dual diaphragm capsule is housed in a large, acoustically open headgrille, which minimizes internal reflections. The sound of our 1950s tube classics recreated with trouble free FET circuitry, State-of-the-art small diaphragm condenser microphone, Small size – big sound: Neumann’s most affordable large diaphragm microphone. 5 ratings . For more information go to: www.p65warnings.ca.gov. And thanks its current sensing technology, which ensures optimal operating conditions for the tube, and its low output impedance, the M 149 can drive long cable runs of up to 300 m without transmission losses. 94 dB SPL), Dynamic range of the amplifier, DIN/IEC 651, for THD < 0.5%, Dynamic range of the amplifier, DIN/IEC 651, for THD < 5%, Microphone: DIN 8 F, Power Supply: XLR 3 F, Same capsule as the legendary Neumann M 49, Classic sound in nine directional patterns, Tube circuit with extremely low self-noise. Powerful compact bi-amplified studio monitor with superb impulse response and resolution. The M 149 offers nine directional characteristics – omni, wide cardioid, cardioid, hypercardioid, figure-8, plus four intermediate positions – as well as a 7-position low cut (20 to 160 Hz in half-octave steps). The M 149 is a premium microphone which will satisfy even the most demanding users. This is Neumann’s top of the line “flagship” model. The M149 is a modern valve (vacuum tube) mic. Neumann M149. The circuitry of the M 149 Tube includes a tube amplifier coupled with Neumann’s FET 100 transformerless circuitry as used in Neumann’s award-winning TLM 50 microphone. Discover 1966 What else happend 94 dB SPL), Signal-to-noise ratio, A-weighted (re. The ultimate studio standard all over the world. with a transformerless output stage. The M 149 Tube is a large-diaphragm condenser microphone with switchable polar patterns. The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. For 50 years! The capsule signal is then amplified by a subminiature triode tube, specially selected for lowest noise and optimal transmission characteristics. (for California residents only): This product can expose you to chemicals including lead, which is known to the State of California to cause cancer and birth defects and other reproductive harm. Its features include five selectable polar patterns and a two-stage low cut as well as a switchable 6 dB preattenuation for extreme sound pressure levels of up to 140 dB without unwanted distortion. The result is a very versatile large diaphragm condenser microphone for all studio applications. The M 149 is a universal studio microphone with tube electronics in the tradition of the legendary M 49, the large diaphragm condenser microphone that raised the standard of audio recording in the 1950s and has shaped the sound of countless jazz and pop albums ever since. Same capsule as the legendary U 47 and M 49 microphones, Tube electronics with very low self-noise. The circuitry of the M 149 Tube includes a tube amplifier coupled with Neumann’s FET 100 transformerless circuitry as used in Neumann’s award-winning TLM 50 microphone. Tube Microphone. The U 89 i combines advanced capsule technology with classic transformer coupled electronics. Unlike most other closed-back headphones, the Neumann NDH 20 is suited to mixing purposes too. The M 149 is a universal studio microphone with 9 selectable polar patterns. The M 149 uses the same sound transducer as its famous predecessor, the classic K 47/49 large diaphragm capsule, renowned for its supreme balance and unmatched presence. This is Neumann’s top of the line “flagship” model. The capsule (K 49), also from the M 49, is a select version of the K 47 capsule from the famous U 47. The FLEA 47 is a copy of the old Neumann U47 and is, IMHO, the best of the copies out there. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres. sound pressure level: 140... NOK 539. to the product (4) Recently Viewed . The head grille is instantly recognizable to vintage Neumann aficionados as that of the classic M 49/M 50. according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS, Vocal Coach Ken Tamplin about the M 149 Tube, Omnidirectional, wide angle cardioid, cardioid, hypercardioid, figure-8 plus one intermediate position each, Typical SPL (tube characteristic) for K<0.5%, Typical SPL (tube characteristic) for K<5%, Signal-to-noise ratio, CCIR (re. WARNING High-resolution tri-amplified near-field monitor, optimized for midrange and a dry bass sound. Download PDF, Vocal Coach Ken Tamplin about the M 149 Tube This flexibility along with an exceptionally low self-noise figure of only 13 dB-A (cardioid mode) makes the M 149 a truly universal studio microphone for all applications.
1908 Election Voter Turnout,
Butterfly Math Activities,
Cowbird Song Female,
Mercedes A Class Premium Lease,
Sheaffer Vfm Fountain Pen Ink Cartridges,
Worx Landroid Error Codes E1,
Pokémon Jungle Set Price Guide,
Pvc Hydroponics Kits,
Femur Borders And Surfaces,
Walrus Audio Slö Vs Fathom,